‘Outlander’ Season 2 Premiere Recap: Chasing Ghosts

Apr 09, 2016 · 49 comments
Allison (Planet Earth)
Gabaldon set Outlander in 1945, immediately after the war. Apparently, her British publishers recommended that she change the initial setting of the book to 1946, arguing that the conditions she described would have been more likely in existence in 1946. So the American and British versions of the first book differ in this regard.
Claire returns to her time in 1948, but the TV show also departed from the book version of Dragonfly in Amber, which begins in 1968, with Claire and her daughter returning to Scotland after Frank's death in an auto accident.
L.m.Roberts (CT)
(PART 4 of 4)
* I realize that the writers & producers of the show did not aim to leave us in the same place the book did as they wanted the end of Season 1 to have some unresolved issues that carry over & lead into Season 2.
Religious symbolism is not uncommon in the novel. The author has said that she used Christ imagery through the story (see Diana Gabaldon’s blog, “Jamie and the Rule of Three”). And it is interesting that there are references to, or representations of, at least 6 of the 7 sacraments of the Roman Catholic Church. I do not recall that the Sacrament of Confirmation is mentioned or depicted.
Baptism: symbolically represented by Claire & Jamie’s immersion in the Abbey’s hot spring.
Marriage: Claire to Jamie.
Penance/Reconciliation: Father Anselm hears Claire’s confession & offers Absolution.
Extreme Unction/Last Rites: Jamie is anointed by his uncle the Abbot when it is feared he will die.
Communion: Jamie receives the Sacrament during Extreme Unction.
Holy Orders: represented by the priests in the story - the priest who married Claire & Jamie; Father Bain; & some of the monks at the Abbey would have been priests, ordained through the Sacrament of Holy Orders & therefore able to say Mass & administer the sacraments. Not all monks were ordained; some served as lay brothers.
L.m.Roberts (CT)
(PART 3 of 4)
Jamie & Claire’s time at the Abbey shows Claire’s battle to save or “ransom” Jamie’s body & soul so that he can survive, subdue, & prevail over the physical & emotional suffering he underwent at Wentworth Prison, & to give them time to resume the closeness of their marriage. Of course, Jamie will never forget what happened to him--physical and mental scars will remain--but the end of Outlander could have been one of the most beautiful & exhilarating moments on television if Diana Gabaldon’s unique, powerful, carefully-crafted scenes had been presented.
In the book we are led below ground by Jamie’s lantern, lighting the torch in the sconce on the wall, then the lanterns on the rock pillars surrounding the underground spring so that light is reflected in the clear black lake & on Jamie & Claire’s skin & in their eyes, & symbolically in their souls, as they descend into the warm womb of water.
It’s a poignant, breathtakingly beautiful, incredible gift of a scene. Claire & Jamie’s physical & soul-connecting love in the gorgeous setting beneath the Abbey showed hope & healing for them, & for readers, too. It leaves us with a powerful & joyful optimism strengthened by Claire’s revelation that she is with child which reinforces the theme of rebirth. It is emotionally, thematically, & aesthetically uplifting, & brings closure to this part of Jamie & Claire’s story & to the book.
L.m.Roberts (CT)
(PART 3 of 4)
Jamie & Claire’s time at the Abbey shows Claire’s battle to save or “ransom” Jamie’s body & soul so that he can survive, subdue, & prevail over the physical & emotional suffering he underwent at Wentworth Prison, & to give them time to resume the closeness of their marriage. Of course, Jamie will never forget what happened to him--physical and mental scars will remain--but the end of Outlander could have been one of the most beautiful & exhilarating moments on television if Diana Gabaldon’s unique, powerful, carefully-crafted scenes had been presented.
In the book we are led below ground by Jamie’s lantern, lighting the torch in the sconce on the wall, then the lanterns on the rock pillars surrounding the underground spring so that light is reflected in the clear black lake & on Jamie & Claire’s skin & in their eyes, & symbolically in their souls, as they descend into the warm womb of water.
It’s a poignant, breathtakingly beautiful, incredible gift of a scene. Claire & Jamie’s physical & soul-connecting love in the gorgeous setting beneath the Abbey showed hope & healing for them, & for readers, too. It leaves us with a powerful & joyful optimism strengthened by Claire’s revelation that she is with child which reinforces the theme of rebirth. It is emotionally, thematically, & aesthetically uplifting, & brings closure to this part of Jamie & Claire’s story & to the book.
L.m.Roberts (CT)
(PART 2 of 4)
After the suffering Jamie undergoes, in the book equal weight is given to his healing & “rebirth” finally symbolized by his & Claire’s immersion in the hot spring beneath the Abbey. It would have helped some of us recover from the trauma that had gone before if the televised story had followed the book & indicated some passage of time, then shown Claire & Jamie in the spring. This serves as a true catharsis as it symbolizes the Sacrament of Baptism during which Jamie himself is renewed as is his & Claire’s relationship, & leads to Claire’s uplifting last words. (This is a symbolic “baptism,” one of the seven sacraments of the Roman Catholic Church. In the Christian Latin literature of Late Antiquity [approx. 2nd-7th centuries CE] immersion in water always symbolized baptism, rebirth & renewal. E.g. see the works of Ambrose, Prudentius, et al.)
Instead, they filmed a scene of Claire & Jamie sailing away from Scotland to a new beginning in France that was quite lovely but not unique & did not carry the force & heart-soaring beauty of the original. A pall was cast over the last episode &, to some extent, the whole series, by the failure to take advantage of the author’s conclusion of the novel. That such a glorious story & amazing journey ended in such a muted, melancholy way was disheartening.
L.m.Roberts (CT)
As Season 2 of Outlander begins, TV show Jamie vs book Jamie is at an earlier phase in his recovery after his physical & psychological torture because not enough time was given to his healing at the Abbey at the end of Season 1. This complicates things for both book readers & show only watchers. I believe it would have been more satisfying for the audience if the show had followed Diana Gabaldon’s book more closely.
(PART 1 of 4)
"And the world was all around us, new with possibility." Claire Fraser
These are the last words of Diana Gabaldon’s novel "Outlander." Claire’s hope for the future lifts our spirits & brings a satisfying end to the 1st novel as an entity unto itself.
Starz presented a beautifully-filmed, superbly acted, worthy & nuanced adaptation of the novel, but missed giving the viewing audience a sense of completion of the 1st book, & renewal at the end of Ep16 by not counterbalancing the earlier scenes of Jamie Fraser’s mental & physical torture at Wentworth Prison that they took such care & time over. In my opinion, they did not give enough time and care to scenes of Jamie’s healing & redemption & the reconnection of Jamie & Claire as man & wife during Jamie’s recuperation at the Abbey. *Yes, the television version is an adaptation of the book & does not need to strictly adhere to the text, but in this case I believe the production would have been better served if they had more closely adapted the author’s final few chapters.
Jane (Philadelphia)
Oh, here we go. Sometimes I think the writers on Outlander think the viewers don't care how they interpret Galbadon's work. WE READ THE BOOKS -- and it's not what we see on the screen, WE KNOW THAT. But Claire's ambiguousness upon her return when it comes to Frank's and his conditions -- is lost in this episode. She is destroyed and doesn't really care what happens to her or the child she is carrying at this point in time. She is a mess. Frank, on the other hand, doesn't believe her, thinks she is crazy and talks about the duty of a husband, in a clinical, unemotional way. Just giving the viewers this simple complex portrayal of their relationship would have been great. It didn't happen. As far as Jamie, well, he is down, but not out. He is strong and his resilience will carry him along -- if the writers let it.
Elanur Bilgin (Rotterdam)
My heart broke the second I found out she was back in 1948 by the stones. Even though they switched back to the 18th century later on, it still felt like everything was spoiled. "Sing me a song of a lass that is gone" and please, just let her be gone forever.
Edgar Pauk (Brooklyn, New York 11225)
Brilliant collaboration between Gabaldon, Moore et al speaks to masterful cleaning up "loose ends" presented in books with highly satisfying scenes we were all wondering about. The ambiguity about Frank believing or not believing, how of COURSE they stay with Wakefied and you BET Mrs. Graham is the FIRST person Claire wants to talk to were never dealt with in book. Witnessing her devastating reentry to 20th century, her CLOTHES (never bought "the rags" bit in the DFA) as proof, and Frank's joy, fury and conditions make perfect sense. Transition BACK to France, where we last left off with change from 20th cent orchestrations to 18th cent instrumentations another nod to well thought out segue which is, after all, what the story is about. I suspect we'll enjoy the main story of DFA and end up where the book begins with Claire, Brianna and Roger in 1968 only with VERY gratifying set up in episode one. Series better than books in many ways in that respect.
alexis (washington dc)
Frank didnt believe her in the books. Or at least he never told her he did and led her to think he didn't. That wasn't ambiguous. This is why she was thrilled when, later, roger did believe her when she first told him her tale.
JKF in NYC (<br/>)
Was anyone else confused by the flashback/flash forward? SPOILER ALERT:
In the books, pregnant Claire returns to the present, goes to Boston with Frank, and earns an MD. She and Brianna stay in Boston until Frank dies. Why are we whipping around in time like this?
Samuel (U.S.A.)
I do not need to witness rape: male or female, now or ever. It was difficult enough to read it.
marg (NJ)
The reason there was the focus on Frank in episode 1 is because Ron Moore wanted to have more Tobias in the series. He really likes Tobias and so wrote more for him. We don't actually meet Frank in DIA, we only learn about him from Claire's telling of the past to Brianna and Roger after Frank has died. I still see BJR when I see Frank. I'll admit Tobias is a wonderful actor but he doesn't change my feelings about Frank/BJR.
Larry (The Fifth Circle)
I don't know how the books are (I'm going to read them now); but personally I'd like more balance between the 1700s scenes and the 1900s scenes.
Jumpcut (Austin, TX)
I love the Outlander series of books, and the television series is moderately successful. It's perfectly cast, often features beautiful cinematography, the costuming is fantastic. The music struggles. I wish they would rely more on period instrumentation; the musical score tends to wobble dangerously, tipping toward the intrusive and cloying, when it should move in the other direction and lean more heavily on the folk and court music of the early 18th century. Having seen the second season premiere twice, I have to disagree with the reviewer who loved the musical accompaniment to the clothes burning scene. The music utterly ruined what was being said cinematographically: a somber moment of resignation and grief was turned into sappy, string-infested, cheap romance-novel sentiment. How much better one instrument would have been -- a melancholy cello, perhaps. Better yet, silence! Anything but swelling violins. But, as Claire notes of the modern era, "It's so noisy here." Are the producers afraid of silence and subtlety?
Angela (Detroit, Mich.)
How can Jamie speak such fluent French?
Cathy H (Levittown, NY)
Because he lived in France for several years, if I'm not mistaken, prior to returning to Scotland, as there was a price on his head.
Dorothy (USA)
Jamie spent 1738 to 1739 at University in France living with his uncle Jared. He then spent 2 years in the French army fighting with Ian Murray. He is also one of those lucky people that picks up languages very easily!
Kathryn Irwin (Champaign IL)
Jamie went to university in Paris, later served with his brother-in-law Ian in the army in France, and has a prodigious talent for languages.
Carol (Anywhere)
Some of Ms. Gabaldon's story line details are going to be lost or reworked for a teleplay. Jamie & Claire are both characters who are forced to live by their wits, so Jamie can't sink too far into grief about his torture, at least for the purposes of the narrative. One could easily see Jamie having to deal with the repercussions of his torture in future episodes.
Sandra Pagliughi (Asheville, NC)
Join your fellow Outlander fans at the outlandergathering.com this July at Grandfather Mountain, NC.
trudy (albany)
I see they entered the story from a different point, hence the flashback style that begins at the halfway mark that will continue what happens to her and Jamie. I thought it was a wonderful episode. I do think Jamie acts differently. He is less boyish, more intense, more serious. Claire still does the annoying pain in the neck things that get Jamie in a bind. Dragonfly in Amber was my favorite of the series. Such an amazing story.
Ian (SF CA)
This show is graduating from a guilty pleasure to a straight out pleasure. Sure it's got bodice ripping, torture porn, thuggish English aristocrats battling noble Scottish savages, but mainly it has a damsel who distresses over which husband to abandon: the ever-faithful, cockolded, educated, gainfully-employed, alas infertile gentleman who has pledged to bring up as his own her child-to-be from another man, a life with central heating, a defined benefit pension, the National Health, shampoo and nylons — or the hulking, tortured (literally), still-waters-run-deep, simple man of action who knows how to treat a woman the old fashioned way (if you know what I mean), and can only offer her a life on the run staying one step ahead of brigands and despots, a life with wooly knickers, dandruff, continuous pregnancy and possibly fistula. Yup, that's a helluva choice.
Calli (Chicago, IL)
Call me romantic, but I would pick the Highland warrior every time. Love your post!
Hapax (Retired in Rural America)
Bear in mind that the story is from Claire's point of view. We see Jamie as simple in season 1 because that it how she first sees him. He's a man of his time and position as successor laird in a tribal/feudal society. He has weaknesses, but we see that he is educated, speaks French, savvy (he negotiated that deal with Colum about Dougal's fundraising and the deal with Jared). But simple, no.
alexis (washington dc)
Frank didn't have to raise Claire's child - he insisted that he raise her child. His choice. She didn't ask him to. And Jamie is classically educated and speaks multiple languages; he is just as educated as Frank. That you see him as simple means the show has done the character a true disservice.
Donna LaCroix (Memphis, TN)
"There's something funeral about that moment." I thought of it as a burnt offering, when the camera followed the smoke up to the sky--very evocative!
Linda (Mass)
I also thought it was paralleled by the burning of St. Germaine's ship - getting rid of the immediate danger for the greater good.
Adam L. (Albany, NY)
This premiere had to juggle a lot of balls and it do so very successfully. People talk about how most TV shows and movies don't provide roles for women that offer depth and complexity, and it's true.

But it's also true that few shows and movies provide roles for men that offer the depth and complexity that this one does. When you look at Tobias Menzies's performance as Frank tonight, or Sam Heughan's final arc as Jamie at the end of season one, I can count on maybe one hand the other shows that are this attuned to the interior emotional landscapes of their characters.
M. Waterbrook (AZ)
I totally agree with the reviewer that the episode felt "lopsided" because of not addressing Claire's and Jamie's relationship after the horrific damage done to him at the end of Season 1. I was actually startled to see Claire pushing him so hard to jump right into their plan to change history, although perhaps some of her urgency comes from her desire to save him above all others. It was also uncharacteristic of the relationship between the two of them that we have come to expect--they communicate with each other, eventually, about difficulties between them--but there was absolutely nothing of that. Big, big gap in the story. Which is not to say I am not still a huge fan!!! I guess it's because I'm a fan that I was so struck by those holes.
libby johnson (so cal)
The burning of such history in the clothes and demanding she not look at anything Scotch till after his death well that's just another side of the sick that runs in his family and I would not want him to raise my child. I feel he merely wants her back to punish her in that good ole "Randall' way and I wanted her to run and run far and when she reached out for Frank's hand and suddenly it was Jamie's Omg I thought my heart would burst for her. It was so great.
I do wish they would have put in more of Diana's beautiful story surrounding Jamie's recovery in the Monastery. It was beautiful and brought me closer or back to my own faith and, might have balanced out the 'lopsided' feel some viewers have expressed.
Linda (Mass)
I agree with you about the spirituality of the monestery scenes. Diana said somewhere that she wished they'd done more there, but that the production people aren't particularly religious and it didn't resonate with them. In fact, there wasn't going to be any chapel scenes but one of the Starz execs who was a book fan agreed with Diana, so we got a little bit of the flavor. But I would have taken more perpetual adoration over the silly Claire and Murtagh roadshow scenes.

As for Frank, in that case I totally don't agree with you. He's a victim of this circumstance. No, he's not a classic romantic hero like Jamie was written to be, but he truly loved Claire and wanted her back. Not to punish her, but to simply be with her. How that's not obvious boggles my mind, but you're not alone in your views. His wife went missing, and nearly 3 years later comes back pregnant with another man's child and clearly mourning that relationship. All he asked was that if they were to be together, she commit to him and put her past where it belongs (from his perspective). He's flawed, but he's no Jack Randall.
Tracey M. Martin, Esq. (Detroit, MI)
Claire is a bigamist.
Ivy (<br/>)
No, she's not, actually.....Fr Anselm explains it to Claire. Two different timelines, Frank isn't even born yet.
Janette A (Austin)
Kind of hard to be a bigamist when your original 1945 husband hasn't even been born in the time you end up in when you accidently fall through time. After she returned current time, her Scottish husband ha been dead for centuries.
Carolyn (Anderson)
No she isn't. In the Catholic faith a marriage is only recognized between two Catholics. She is Catholic as is Jamie, Frank isn't. It can be justified in the church that way.
CCMartin (Litchfield CT)
Not funeral: funereal. Where are the copy editors? Are any of them older than 25?
PaulB (Cincinnati, Ohio)
I think Jamie's rapid recovery from his rape stretches credulity. At a minimum, I think he would continue to be withdrawn, if not sullen, even with Claire. Clearly it was a trauma for him, and one that left him shaking and uncertain about even his own identity. To then be happily walking about the French waterfront, interacting with his cousin, and planning to rewrite history all seems a bit much.
Ivy (<br/>)
It was a longer time to heal in the book. Also, he never really recovered in his entire life. He would forever be plagued by the experience.
S.L. Myers (Kennedyville, MD)
"The anger that mars his face, his raised fist and subsequent destroying of Reverend Wakefield’s storage room shows an intensity not seen in Frank before."
Frank did viciously attack the locals who tried to get the reward money after Claire disappears. This prompted Rev. Wakefield's speech about the cup of evil that the Nazis had drunk from but Frank had only taken a sip.
Calli (Chicago, IL)
Yes. There is a bit of rage and violence simmering under the surface of the mild mannered historian. I was struck with Caitriona Balfe's eyes when Frank became enraged to the point of raising his shaking fist to her. I think she was as startled by that reaction as Claire. He pupils dialated and she was terrified. The acting all the way around was really fantastic in this opening episode.
Marjie (Callaway, VA)
I enjoy the show, and I read the books. But I'm still confused as to how in this episode she was back in the 20th century then suddenly back with Jamie - was that a flashback?
Calli (Chicago, IL)
Not to hijack the comments here or to give away too much of what may or may not happen in the series, I would like to say that I think many people who have not read the books probably had your same reaction. What happened? They were on their way to France and suddenly they are separated by 202 years again somewhere between the abbey and their arrival in Paris. Why? We already know their attempts to change history failed because the first thing she says after, "What year is this?", is "Who won the battle of Culloden?" So Culloden happened in spite of their best efforts to stop it. What we don't know yet, unless you have read the books, is why she left Scotland to return to her own time. Clearly she is not happy to be there and is heart broken. The source material also began in 1948 with Claire returning to Scotland from America with her now grown daughter Bree. It is 22 years later and she has kept her promise to Frank not to tell Claire as long as he is alive about her birth father. Frank is dead and now Claire needs to tell Brianna about her real father whom she obviously loves and whom she needs and wants to share with their daughter. Along with Roger Wakefield they begin to search for what has actually happened to Jamie during the battle and after. So when we go to Paris and pick up the story of Claire and Jamie it is as a flashback told by Claire to her daughter and Roger Wakefield. It is in my opinion a far more understandable transition back to the 18th century.
Denise G. Cantrall (Downers Grove, IL)
The STARZ website has an excellent podcast where Ron Moore discusses the changes, production, and challenges.
Linda (Mass)
Actually, book 2 started in 1968 and was, in my opinion, a crazier transition from the end of book 1. Also, television being a visual medium, we'd be seeing Claire 20 years older than when we last saw her, which would be even more jarring than her swing back to the future at the same age. Basically, what we know now is that she does go back to the future and to Frank. We don't know for how long or at what point of the story - unless we read the books. But these reviews are based on the television depiction of the story. That all said, we know there will be a jump at some point to 1968 because the actors for adult Brianna and Roger were cast and filmed scenes. So we will see an aged Claire as well.
Calli (Chicago, IL)
Your recap and review really resonated with my feelings. I've been counting the days until Season 2. The acting in episode 1 was brilliant all around. Caitriona Balfe and Sam Heughan never cease to amaze me with the range of emotion and chemistry they bring to the screen. They pull me into their world. Much will be said about Tobias Menzies' performance and rightly so. Fortunately everyone in the cast is outstanding and seems to genuinely like, respect, and trust each other. However, episode 1 left me with questions for Ronald D. Moore. Where was our hero for the first half or more? For me this is an entirely enthralling love story between an 18th century Scottish Highlander and a 20th century modern woman. Why so much Frank? Why so little Jamie? Why did Claire suddenly leap back through the stones? When we left her, she and the love of her life were on a ship to France with the hope of changing history and the joy of an expected child to help heal their wounds. I waited a year to reconnect with Jamie and Claire. What I got was a well acted new showcase for Tobias Menzies. When we finally get to see Jamie and Claire it was almost an after thought rather than the heart of the story as it was meant to be in the source material. The heart of the story is the love between Claire and Jamie that transcends time. I hope the series gets back to that quickly. I am eager to see episode 2 and see if it restores my faith in Ronald D. Moore. He hasn't made too many missteps yet.
Linda (Mass)
Personally I think the heart of the story is Claire herself and how she navigates what is a crazy set of circumstances. Jaime becomes her primary relationship and it's wonderful and romantic, but it's ultimately Claire's story. So, the fleshed out focus on Frank fits in well, in my opinion, with understanding her initial loss when she travels back to the 18th century, her guilt for falling in love with Jamie and ultimately choosing him over Frank, and how when she goes back to the 20th century and returns to Frank affects her. He's as much of her story as is Jamie and it's only because the books were told from Claire's perspective for so long that we never saw the fallout Frank felt and also more about their relationship together. It all makes her choices more important and poignant, which for me is better than a simple love story.
Tris (Boston)
"Why so much Frank? Why so little Jamie? Why did Claire suddenly leap back through the stones? "

I believe the writers were trying to achieve the same sort of mystery as the beginning of Dragonfly in Amber. The book starts out similarly, in the future (albeit much farther out) with Claire.

As far as why so much Frank, not really sure but I enjoyed it. If there's one thing I kind of which Diana touched upon a little more, was how Frank handled Claire's homecoming. We get vague references in flashbacks in DOA but not much. I think the show is doing an interesting take on the story though.
LaurenB (Tucson, Arizona)
@Linda The story begins as Claire's story but quicky becomes a story of a timeless soulmate love between Jamie and Claire when they become a couple. It becomes their story and it's never again, solely hers.