How do married clowns make wordless wizardry with balloons, umbrellas, packing peanuts and fabric? Turn on those electric fans.
NYT > Theater
His solo show will run through Dec. 15, but tickets are available only to those who tried to get them earlier.
At this encounter group, the porn addict to your right or left may be an actor. If only the show’s creators had more self-control.
Reality and identity are mutable things in “Distant Observer: Tokyo/New York Correspondence,” by Takeshi Kawamura and John Jesurun, at La MaMa.
A new show draws on the art and writings of Leonora Carrington and Alejandro Jodorowsky, and gives viewers a peek into an expansive world.
Roundabout Theater Company announced Tuesday that its new production of “True West” will begin previews in December at the American Airlines Theater.
In an inversion of the usual adaptation process, the creators of the hit musical are releasing a novel based on the play.
In this spry and winning show, a Canadian playwright links the story of her great-grandparents to the refugee crisis of the present.
A boxing champ who survived an attempt on her life prepares to seek revenge in this multimedia play at Abrons Arts Center.
The Australian stand-up Hannah Gadsby examines a culture that excuses abuse and takes on comedy’s pieties. Laughter is not good medicine, in her view.
The new telling of “Forty Girls,” which mixes video, songs and traditional and modern music, is a bold departure for a Muslim country, especially Uzbekistan.
In an overstuffed one-man show, Modesto Jimenez recalls a personal journey that includes gang life, a liberal-arts college and experimental theater.
The English actor has played a television time-traveler, a call girl and a woman desperate to conceive a child. Next stop? New York and new projects.
“Prurience,” a new immersive theater piece by Christopher Green, is set at a self-help group for pornography addicts.
A new production starring Cillian Murphy will transform Max Porter’s experimental novel into a play. Just don’t expect any C.G.I. birds.
The Jimmy Buffett jukebox musical is so laid back it collapses.
Previews, openings and some last-chance picks.
Brian Dykstra’s play about a student’s activist artwork lacks the kind of focus that teenagers around the country are bringing to issues like gun control.
Ms. Luff, with Christopher Jahnke on piano, sings "It's My Job" from the musical "Escape From Margaritaville."
Theaters in France and in the English-speaking world couldn’t be more different. But they can learn from each other, as three productions in Paris show.
The Keen Company’s limpid revival of A.R. Gurney’s 1993 play makes a case for this eloquent portrait of a man who can’t change.
Students will be taught by professionals from the London Academy of Music & Dramatic Art in this new summer program.
The federal suit says that Aaron Sorkin’s script for the play, set this fall for Broadway, deviates too much from “To Kill a Mockingbird.”